Last weekend I did a Doubling Clinic with Mike Crotty at the Highland Jazz Festival. This particular festival is in its third year and is one of my favorite festivals. Run by two of my friends, the Highland High School Band directors, Kevin Bennett and Lewis Nelson, it is one of the few festivals where [...]
Inspired by this post from my fellow doubler Bret Pimentel What instruments do you play in your profession, and in what capacity do you play them? I play piccolo, flute, clarinet, bass clarinet, soprano, alto, tenor and bari saxophone professionally in jazz combos, big bands, rock bands, chamber ensembles, orchestras, as a soloist, and in [...]
“I don’t know what to play” confesses the student when it’s their turn to solo… I’ve heard this quite often from students throughout my years teaching and giving clinics. It is completely understandable, although I suspect that not knowing what to play (in that moment) is directly proportional to not knowing what to practice at [...]
“To know a scale “inside out” means that you know a scale starting anywhere in the scale, both ascending and descending” – Bergonzi My list of scales: Major Dorian Mixolydian Lydian Lydian Dominant Harmonic Minor Melodic Minor (Ascending) Locrian Locrian #2 Superlocrian (Diminished Whole Tone / Altered) Diminished 8-Toned Dominant / Half Whole Diminished [...]
One of the fears that I hear students express often time is the fear of playing a wrong note, or even a series of wrong notes. Sometimes, they can’t even verbalize it and they just sit there, unable to play anything at all. In an effort to eliminate that fear, I started teaching the blues [...]
One of my favorite time killers when I worked in the music library in college (aside from intensely studying and rubber band wars) was to play games online. This was before the age of smart phones and Angry Birds. Text Twist was one of my favorites. I love word games and I’m especially adept at [...]
Subtitled: How I Finally Learned, Really Learned, My Diminished Scales. Diminished scales were always that elusive sound that I wanted to try to understand but could never get my head around. Actually that was my problem. I could think my way through it, but I really didn’t have it under my fingers. My brain kept [...]
Tetrachords – the little pieces to a rather large puzzle A couple of years ago, a colleague told me that she teaches major scales to young students using tetrachords. This approach was eye opening for me and prompted me to try teaching this method to my 2nd level class for a couple of years. [...]
Recommended Jazz Stardards to Learn One of my biggest weaknesses as a jazz player is knowing tunes. (“Knowing” in this case means that you have the melody and chord changes memorized and could play thru both without the use of a Real Book.) Over the years I have gathered many lists and I never [...]
